When it comes to best of lists you either love them or loathe them. Whatever your opinion may be these carefully or hastily compiled lists always seem draw readers dying for a quick fix of opinion based rankings.
Entertainment Weekly Magazine recently released its “New Classics” list for the publication’s 1000th issue. The extensive feature compiled the top 100 supposed new classics from the past 25 years covering damn near every medium–film, music, books, video games, stage, and even technological advancements. While there were a number of WTF entries in each category and countless “I can’t believe you left that out” moments, the lists were entertaining.
Best of lists are inevitable in the world of pop culture criticism. The media realizes that it’s easier for the masses to skim through a list of what certain highly opinionated folk deem the best of the rest than actually dive into something more substantial. Whether it’s Rolling Stone’s recent “Top 100 Greatest Guitar Songs,” Spin magazine’s upcoming “Top 25 Greatest Live Bands,” or the countless end of the year critics picks, there is an over abundance of best of lists for media hounds to soak up.
While an entire column could be devoted to merely debating Entertainment Weekly’s recent feature (its poorly thought out series of lists is most certainly begging for discussion) I thought it might be interesting to list a handful of truly thought out and highly comprehensive lists that are available for music, film and literature. Consider this the Best of “The Best of lists.”
Rolling Stone Top 500: Sure Rolling Stone puts out a lot of pointless, space filler lists (the formerly mentioned Greatest Guitar Songs being one of them), the magazine’s Greatest 500 Albums of All Time may be the most well put together list for rock geeks out there. Sure the Beatles take up four of the top ten slots (and rightfully so in the grand scheme of things), the list focuses primarily on America and British artists, the top ten entries all come from the 60s and 70s, and certain classics end up lower on the totem pole than one might expect (Sonic Youth’s Daydream Nation at #329, twelve slots below No Doubt’s Rock Steady), but reservations aside, this list pretty much nails it. Reading through each album’s descriptions and arguments for their importance, one can’t deny that a lot of time and painstaking debate went into compiling this list.
Moment of Brilliance: Listing Stevie Wonder’s terribly underappreciated 70s masterpiece Innervisions (#23), propelled by the epic centerpiece “Living for the City,” above more obvious choices like Talking Book (#90) or the mass hit Songs in the Key of Life(#56) shows that substance always prosper over hype and sales.
Time All-Time 100: The most striking aspect of Time Magazine’s take on the greatest albums, films and novels of all time was the decision not to rank the entries by greatness. By taking away the urge to argue for the placement of certain titles over others, the critics were able to focus on why these selections are the most important. For films, Time’s two main critics Richard Corliss and Richard Schickel, compile a global list that includes obvious choices like Tarantino’s Pulp Fiction, Scorsese’s Raging Bull, or Fellini’s 8 ½, with more curious but respectable picks like Terry Gilliam’s surreal sci-fi classic Brazil, Kurosawa’s highly influential samurai classic Yojimbo, or David Cronenberg’s gross out, mind bending horror film The Fly.
Like the film list Time’s All Time 100 novels encompasses the best of a world of literature placing as much emphasis on modern American authors such as Philip Roth or Don DeLillo with the likes of international greats such as Nabokov or Chinua Achebe. They also pick the best of certain underappreciated genres such as science fiction (Philip K. Dick’s Ubik), fantasy (C.S. Lewis and J.R.R Tolkien) and even a bit of horror (James Dickey’s frightening Appalachian woods novel Deliverance).
For music Time’s critics again tried to highlight the album’s impact on music in terms of its importance. Understanding that an artist like Little Richard influenced everyone from Paul McCartney to Axl Rose or playing up the importance of the Prince’s genre bending double LP Sign of the Times (they believe it is the best album of the 80s) shows a focus on how the album’s hold up now, the criteria for true greatness. Skimming through the list (organized by decade) and noticing the absence a single Pink Floyd record (a band that many feel is overrated) is evidence that the crew at Time spent many grueling late nights and drank lots of bad office coffee while debating the history of popular music.
Moments of Brilliance: Film critics choose the Coen Brother’s often forgotten noir masterpiece Miller’s Crossing over Fargo, book worms play up the importance of Alan Moore’s staple graphic novel Watchmen as well as Zora Neale Hurston’s beautiful Their Eyes Were Watching God, music critics highlight two of alternative’s best female leads by including Hole’s Live Through This and PJ Harvey’s Stories from the City, Stories from the Sea.
Jonathan Rosenbaum and Roger Ebert: When it comes to film criticism Chicago has given the world some of the greats. Rosenbaum, the long time critic for the Chicago Reader street publication and Ebert, head critic for the Chicago Sun Times, are both living encyclopedias of a world of film that stretches well beyond Hollywood. Both continue to recognize the current greats while also going back to shed light on the forgotten gems of yesteryears. Ebert’s ongoing Great Movies series is the place to look for the film masterpieces of past and present. Ebert revisits his picks for the Greats often highlighting their importance in present day and why some classics only get better with age. While he covers the obvious greats in his bi-weekly or monthly entries to the lists he also plays up lesser-known titles that are often overlooked upon its release and forgotten with time. Take his admiration for Nicolas Cage’s daring and haunting performance in the great but devastating Leaving Las Vegas or his argument for Sam Peckinpah’s brutal Western Bring Me the Head of Alfredo Garcia, a film reviled upon its release but important in the long road, paving the road for films like Tommy Lee Jones’ The Three Burials of Melquiades Estrada.
Rosenbaum goes even further down the obscure rabbit hole of global cinema. His end of the year best of lists go completely against the grain of his fellow, more predictable film critics shedding light on films that the majority of moviegoers never saw. At his website, www.jonathanrosenbaum.com, this one of a kind critic provides readers with a different take on the best films of each year as well as an alternative to the American Film Institutes top 100 films of all time. While the AFI played up obvious choices likeCitizen Kane or Casablanca, Rosenbaum argues for more obscure fare like Jim Jarmusch’s surreal Western Dead Man (a film which Rosenbaum also wrote a book on) or Kubrick’s early heist film The Killing. Of his list of the best films of the 90s only three–Dead Man, Eyes Wide Shut, and When It Rains–were American, while the other hailed from Taiwan, Iran, Hungary, Belgium and Portugal.
Moments of Brilliance: Ebert’s in-depth essay on Spike Lee’s still polarizing film Do The Right Thing discusses, among other things, how certain movie going experiences–that is sitting in theater alive with other viewers–can truly penetrate your soul. While it’s clear Rosenbaum has a bit of a soft spot for indie-darling Jim Jarmusch, there is no denying the importance of this unique auteur whose films continue to puzzle viewers.
National Public Radio’s 100 most important American musical works of the 20th Century:Leave it to NPR to create the snobbiest best of list for music. Rather than focus solely on recorded albums (as almost every other list does) NPR 100 goes beyond to cover all composed pieces of music. From rock to reggae, classical to country, songs to albums, NPR tries to encompass it all and does a damn good job. For serious listeners out there this is one of the best reference lists out there for important pieces of music. Similar to Time’s All-Time 100, NPR does not rank the pieces but rather focuses on their importance in the tide of time. From Aaron Copland’s “Appalachian Spring,” Bob Dylan’s “Blowing in the Wind” to Paul Simon’s multi-cultural record Graceland, NPR’s critics intermix their own opinions of the recordings with interviews with experts and the artists that helped shape American music.
Moment of Brilliance: Rather than talk more about Talking Heads’ records or its unforgettable concert film Stop Making Sense, NPR focused on David Byrne and gang’s composition, “Once in a Lifetime” as being one of the first popular jam tunes. The Heads were able to compose an entire song built around Tina Weymouth’s simple but tight bass line and worldly percussion rhythms.
Amazon.com’s Listmania Feature: While the latter lists and list makers are all from well-seasoned critics and know-it-alls, sometimes you just want to know what the average Joe likes. Amazon became much more than a bookstore years ago and while it tries to everything–some better than others–one of the sites most ingenious features was the creation of Listmania. Want to know which are the best James Bond flicks? Interested in diving into the music of Neil Young but don’t know how to navigate through a discography of over 30 albums, check out the many Young fans who post their rankings on Amazon. Sure some lists will interest you more than others, the feature gives fans a chance to be the critic.
Moment of Brilliance: Want to dive into the world of avant-garde, experimental films? Check out one user from Japan’s list of“Totally Trippy Films For Your Multi Colored Nights.” Other random and fascinating lists are waiting for those curious.